mardi 19 décembre 2017
PARIS ‘Close but No cigar' Galerie du Genie de la Bastille
Leslie Greene, Uta Heinecke, Larissa Leverenz
opening/vernissage 12 Decembre 2017 Paris
4 Aquarelles/encres par Leslie greene
Uprising par Leslie Greene et 3 oeuvres Larissa Leverenz
4 Woodcuts par Uta Heinecke
Vernissage
mercredi 1 novembre 2017
VIENNA: Close but no cigar/3 artists
jeudi 8 juin 2017
mercredi 17 mai 2017
May 4-8 Exhibition/Performance/Poetry aux QUAI, Pont de Barret: Gestuelles/Penseés sans mots
Exposition dans l'ancienne usine de filature a Pont de Barret
6 Grande toiles dans la grande espace
Apres la danse de Pascale Gille et Lionel Garcin,
Amanda Gardone et moi a fait notre duo
Notre Quartet, Amanda, Moi, Lionel et Pascale
L'autre espace ou jai montrer les aquarelles et toiles recentes
Carte postales et catalogues
Les encres improviser pour faire vivre l'espace
Bertrand Boulanger a lu les ecriture qui donne envie d'ecrire et rire!!
On etait tous ensembles, ici en joie, juste avant les resultats des elections presidentielle
lundi 15 mai 2017
I'm delighted to exhibit with Larissa Leverenz et Uta Heinecke, opening in Vienna June 1,2017
'Close, but no cigar. There’s little doubt that a woman smeared charcoal on a cave wall centuries ago alongside the men, whether or not it was condoned by the ancient culture to which she was bound. The desire to make marks is innately human, and part of what sets us apart from the rest of the animal kingdom, regardless of traditional gender roles: Women who choose to wield a paintbrush are driven to do so. Artists are artists; they see things differently, transforming ideas into visual concrete, and when they pick up the tools of interpretation and learn to use them, it has nothing to do with biology. Early women artists coped with nascent discrimination by channeling their creative visions into craft, but even as humanity gained sophistication and women took to the non-functional canvas, society kept them at bay, cloistered away, powerless.It’s unimaginable that women artists must still eye the glass ceiling from below, though in an age altered by feminism, some of them now do so with baseball bats in hand. What a waste of energy. Is the art world really not ready to stop distinguishing talent by gender? Modern women artists are tired. They’ve learned their trade side by side with men, yet still find themselves slotted into an inconsequential category of “women artists,” shuttered from the mainstream by a concocted ball and chain. That’s ridiculous. It’s time to drop the gender politics and get on with business.The truth? Women don’t want the smelly cigar or any other claim to puffery. They just want to make art.'Susan Froyd
Freelance Arts Journalist
An exhibition with works by
Leslie Greene
Larissa Leverenz
Uta Heinecke
mercredi 19 avril 2017
jeudi 30 mars 2017
dimanche 19 mars 2017
lundi 6 mars 2017
jeudi 2 mars 2017
mardi 21 février 2017
mardi 24 janvier 2017
Journées Européennes Des Métiers D'Art
For the first time I will participate in 'les portes ouvertes' in Marsanne.
Three talented artists will share my atelier, come see us April 1/2, 2017.
http://www.journeesdesmetiersdart.fr/atelier/leslie-greene
http://blandinemasure.blogspot.fr/
http://elodiecamus.tictail.com/
http://www.mtceramiques.com/en/
Three talented artists will share my atelier, come see us April 1/2, 2017.
http://www.journeesdesmetiersdart.fr/atelier/leslie-greene
http://blandinemasure.blogspot.fr/
http://elodiecamus.tictail.com/
http://www.mtceramiques.com/en/
lundi 2 janvier 2017
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